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8 posts from December 2007

December 19, 2007

Tis the Season to be Giving to Arts Education!!

So... for all you rich artists, gallerinas, and collectors getting even richer riding the insane wave during the golden age of Contemporary Art.

Bulldogsrockydaisyrockychristmas Ho.. Ho.. Ho..!!   It's about time to give a little back to Art Education.

Mr. Tyler Green of Modern Art Notes.. "The most influential of all the visual-arts blogs" cough..  has put together a selective list of very worthy arts education projects in bad need of your support.

So please.. click here.. read the sappy sweet note from the art teacher looking for financial help.. and give..give..give...  it will make you feel really good!  Trust MAO....it did. :-)

The future of contemporary art and our children's education is in your hands! Now that's scary!

Plus..it's almost Christmas.. so give a little!  PLEASE!  It will make Tyler happy too!

Brian Ulrich Prints for only $20 on the Jen Bekman 20 x 200 Project Website

Attention MAO Shoppers... !!

Ulrich_brian_thrift_200x20 There is one more Photography collector bargain left out there in cyber space!!

The amazing blogger (Not If But When) and photographer Brian Ulrich.. has been spreading the Christmas cheer.. His new project from the COPIA series on Thrift shops looks amazing.. and now you can buy one of his photographs for only $20.

I shit  kid you not ! Twenty Dollars !! that's Two-Zero! Twenty!

Just click here..

and the Wonderful Jen Bekman and her Gallery.(also a kickass wise blogger : Personism). will offer you this print in one of the 3 the 2 sizes!

DAMN! Only the small and mediums are left.. you snooze you lose folks..

But get them soon..cause with Rhona Hoffman, Julie Saul, Robert Koch, and Quality Pictures galleries (like how many galleries are selling this guys stuff, anyway???) all are selling Brian's work for big bucks..this one is not going to last!

It's already almost 50% sold out and that's in the first hour. Congrats to Brian and Jen..

Oh... and if you missed out on this print.. you can always get a copy of the Brian Ulrich book, MP3 here at Aperture.

December 12, 2007

MAO Art Buy of the Month by Famed Photographer Catherine Opie

OK.. my little MAO-ettes.. this one is almost too good to believe...but yes..

It's totally legit..and such a deal plus you get to help a great charity!

Catherine_opie_olpc_project_luminai There's this amazing charity called.. One Laptop Per Child (OLPC). Here's more about the OLPC charity.

The charity's mission is to provide a means of learning, self-expression and exploration to the nearly 2 billion children of the developing world with little or no access to education. They look to provide a laptop to help connect and educate children...so what could be better then that??

Well.. how about also getting a one of a kind signed 11" x 14" color photo from one of America's most sought after photographers for just a $500 donation (aka.. a tax deduction).. ??

Actually it's a $400 donation and for $100, and you'll get a signed photo.

FYI.. a typical editioned Catherine Opie photo of this print size would sell easily for over $3,000 in a gallery...plus these are all unique! Not bad!  Here's more on Catherine Opie.

So Catherine Opie created a project of 100 images where she took photo's (both landscapes and portraits) of the artist's neighborhood of Los Angles and Three Rivers as a backdrop for the OLPC laptop.

Dr. Quiz and I saw a few examples of the photo's at the Luminaire Studio during Art Basel.. they were all pretty cool.

So, the only catch is you can't choose your exact image.. it's a surprise which one you'll get.

First, you just have to register at this website.. and then you can make your $500 donation here, and you'll get your unique 11"X14" Catherine Opie photo. Then they send you an invoice.. your pay, and they send you the package with the Opie Photo.

For those having trouble with the Luminaire Site.. Just call or contact :

ANGELA PEREZ: 305.576.5788 OR ANGELA.PEREZ@LUMINAIRE.COM  or

Monique Brendel : monique.berndel@luminaire.com

and tell them MAO sent you.. for more info on this Charity Print Offer.

December 09, 2007

A few things we learned at Art Basel Miami Beach!

Well.. besides learning where to get the best Mojito in North America..

A few things about artists we love, that we learned while getting shit faced drunk at Art Basel Miami Beach 2007..

1. Photographer Nikki S. Lee has just stepped up to the Big Time, and will now be represented by the contemporary art  powerhouse Sikkema Jenkins & Co.

2. Photographer Phillip Lorca DiCorcia has also left the incredibly unfriendly people at Pace/McGill to go to the David Zwirner Gallery.

3. Painter Chris Dorland will have his next show at Rhona Hoffman Gallery in Chicago.  Rhona had several of Chris Dorland works in their Booth at ABMB. 

4. Ellen Harvey,

5. Mika Rottenberg, and

6. Photographer Melanie Schiff were all chosen for the 2008 Whitney Biennial.

7. Photographer David Hillard does actually claim to know Bernard Toale..even though David never seems to show up where Bernie thinks David should be!

Congrats to all the artists above.. we at MAO are so deeply happy to see these artists success and have their prices go up and up get the public recognition they all so rightfully Installationview01_ellen_harveydeserve! It's all Good! Congrats to all!

(photo of an Ellen Harvey installation of several Invisible Self Portrait paintings, 2007)

December 08, 2007

For all things Basel, Dan Tan is your man

OK... so since there's next to nothing to talk about with regard to sales at Art Basel Miami Beach (aka.. the huge party before the art crash of 2008) the last few days... Ouch! 

Dantanzilli I.E... We noticed 2 huge New Barbara Kruger Paintings..both amazing.. had gone totally unsold as of last night (day 4 of the fair) at the Mary Boone Booth at the big fair.

So.. it would seem to fill space ArtInfo.com wrote a story.. about the hot boy man who makes ABMB happen!

Here's the story... Dan Tanzilli story

Hmm... for some strange reason, they seemed to leave out the part about Dan helping MAO get into every hot VIP event in SoBe!!

MAO hearts Dan Tan the Man!

December 07, 2007

Art Basel Miami Day 1.. NADA, Pulse and Art Miami...

Yesterday was the VIP opening preview's for most of the Miami Wynwood art fairs..

So many fairs...so few VIP's... 

With so many fairs having VIP openings on Tuesday afternoon/evening all the fairs seemed a bit empty. Even the famed NADA opening night benefit seemed a bit energy-less. MAO dragged Dr. Quiz from Art Miami at 3pm, to NADA at 5pm, to Pulse at 7pm. Yes.. it's a crazy way to see anything.. but we wanted to be seen to get a taste of all 3.

We can say, all 3 fairs have never looked better. What use to be new, fresh and cheap emerging, has quickly turned in to very professional, thoughtful and expensive established.   

Sales seem slow at all 3 fairs, it's hard to say if it's just due to collectors being spread too thinly across so many fairs, or if the slowing economy and the expensive prices are taking their toll.

More to details come....

Oh, and yes.. the parties are FABULOUS!!! So fabu that MAO knows one prominent art dealer, who's already : gone to the emergency room, had nine stitches put into his head, has his "date" arrested, and been seen in a car during a DWI... not bad for the first 2 nights of Art Basel Miami Beach. How sheik is that!

Continue reading "Art Basel Miami Day 1.. NADA, Pulse and Art Miami... " »

December 05, 2007

Sweet Sweetback's Baadasssss Song at Von Lintel Gallery

For those 2 people still left in Chelsea.. There was one group show MAO thought well worth checking out.

Sweet Sweetback's Baadasssss Song at the Von Lintel Gallery.

One of the best gallery group shows we've seen this year. We found they've included some (photos, painting, and sculpture) by many of our most admired artists. It's also particularly nice to see a gallery do a group show and not pack it with only the artists they represent.  Plus, how could anyone not like a show that uses the word Baadasssss in the title!!

As expected, many of the works were already sold out by the opening party.

The title comes from a Melvin Van Peebles’ infamous 1971 film, the exhibition of fourteen African American artists is also a journey that examines the representation of African Americans in popular culture.

Standouts included works by : Mickalena Thomas, Zoe Charlton, Carrie Mae-Weems, Renee Cox, and Hank Willis Thomas.

Hank_willis_thomas_petey_wheatstraw (photo by Hank Willis Thomas, Petey Wheatstraw: The Devil's Son In-Law, 2000/2006,light jet print,54 x 51 in (137.2 x 129.5 cm), ed. of 5 for $9,800)

FYI.. we've heard through the MAO grapevine.. there's an Aperture monograph coming out soon for Hank Willis Thomas...that's very exciting!

The show is open till January 20th... so all those Art Basel Miami people can still get to see it!

December 03, 2007

The Wall Street Journal on Art Basel Miami 07

The art mania hasn't even started yet at Art Basel Miami 07... and there are already press stories about tons of sold signs..Clearly the press team for Art Basel Miami has been working some huge overtime! Congrats !

Since most MAO readers probably don't look at the WSJ.. we've pasted the story below..Here's the link: WSJ's Art Basel Story. This was published this Saturday.... and Reporter Lauren Schuker has a podcast as well..

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The Art World's Biggest Party

'Sold' signs are already hanging on many of the top works at Art Basel Miami Beach. But most people aren't there for the paintings. How to navigate the new art scene.
By LAUREN A.E. SCHUKER
December 1, 2007; Page W1

When the nation's largest art fair, Art Basel Miami Beach, opens next week, it is expected to draw more than 40,000 visitors. But many of them will be coming for the glitzy social scene and beach bacchanalia, rather than the art.

One reason: Many of the top works are already spoken for. Collectors and dealers say the practice of "preselling" -- allowing collectors to purchase the art well before the main event -- is more common in Miami than at other fairs, in part because it is so heavy on coveted contemporary works. As the fair's international profile has grown, so has the pace of preselling. "It's getting earlier and earlier every year," says Lisa Austin, a Miami-based art adviser who helps collectors choose work. "So much of the art world is based on what you can't get, so it makes people crazy for certain works when they walk in and a whole booth is sold."

By Thanksgiving, the Lehmann Maupin Gallery in New York had already sold three of its 15 works to collectors, including a $100,000 Tracey Emin sculpture made with neon lights. The Richard Gray Gallery in New York and Chicago just sold two new portraits by American artist Alex Katz, whose Pop Art-inspired work is in the collection of New York's Museum of Modern Art. Now the gallery plans to bring only a small painting by Mr. Katz and the artist's less sought-after drawings. And last month, New York's Mary Boone Gallery sold five works by the 59-year-old American painter Eric Fischl to a single collector, for $2 million apiece. Mr. Fischl, who is often compared to Edward Hopper and Édouard Manet, is best known for his subtle renderings of psychological tension and figurative paintings of domestic scenes.

Buyers will have more luck finding art at the "satellite fairs," which take place during the same week and feature works from newer galleries with emerging artists. The number of these fairs has more than doubled -- to about 23 this year over last -- in part to cater to buyers locked out of the main event by top collectors who bought in advance.

The feeding frenzy in Miami reflects broader shifts in the way art is bought and sold. Years of booming business, particularly in the contemporary area, have attracted new buyers and new money from around the globe. Galleries have long waiting lists of collectors clamoring for the works of in-demand artists. In 2006, Christie's brought in $4.67 billion from art, the highest in art-market history.

The social cachet of collecting has also drawn younger people into the fray, increasing the profile of arts events, from evening auctions in London and New York to art fairs like Miami. Fairs used to be stodgy trade shows for serious collectors. Today, shows like Art Basel Miami Beach have become an excuse for jetsetters to party for a cultural cause. Big-time collectors do their buying beforehand, because they know that major deals are rarely brokered on the spot anymore.

These changes annoy some collectors, but they have invigorated the scene in Florida. Now in its sixth year, Art Basel Miami Beach -- an offshoot of the long-running Art Basel held annually in Switzerland -- is no longer merely about buying art, but an all-purpose super-convention for the rich and trendy.

"Miami has become overwhelming and insane -- but mostly, it has become a major social event. It shows what has happened to the contemporary art world," says Adam Lindemann, a collector and investor in New York who is exhibiting watches at Design Miami, one of this year's satellite fairs. "It has become impossible to see everything, or even much of anything."

Art advisers say they have their eyes on a handful of satellite fairs this year, including one run by NADA, or the New Art Dealers Alliance, a not-for-profit group formed in 2002. NADA's fair will combine works from more than 80 emerging galleries.

At a booth run by the Daniel Reich Gallery in New York, for example, four new Susanne M. Winterling photographs will hang, including the $4,500 "Untitled (her cup of tea)." The image of a fur-covered teacup pays homage to Meret Oppenheim's famous 1936 fur-lined cup on a fur-covered saucer with spoon. The gallery will also put up an $8,000 collage titled "Cold Cream" by Anya Kielar, an American sculptor in her late twenties whose work sells for as much as $16,000.

Other fairs are held in hotels (the staff empties the rooms and turns them into booths), the arts district of Wynwood, and in galleries in Miami's "Design District." Many of the fairs specialize in photography or design.

Pulse Miami, at SoHo Studios in Wynwood, will offer high-end works from 80 galleries. Tel Aviv's Braverman Gallery, for example, will feature the melancholy landscape installations of Israeli artist Uri Nir. For contemporary Asian works, art advisers recommend Scope Miami.

Some galleries at satellite fairs are now starting to presell, too. Didier Krzentowski runs Galerie Kreo in Paris and will be exhibiting sets of limited-edition furniture at the Design Miami fair. He says that before the event begins, he will have sold between four and eight items of each 12-piece set. The sold pieces include a $44,000 coffee table by the young French design duo Ronan and Erwan Bouroullec, and a table designed by Martin Szekely.

Mr. Krzentowski says he offers the pieces to favored clients before the fair, because they follow the work of his artists and "will be really upset if we tell them it is sold out."

The Miami Beach Art Photo Expo, a satellite fair being held at the the Surfcomber Hotel on Collins Avenue, says it had already set aside 20% of its stock for VIP clients by the end of November. The fair is dedicated to works by leading fashion photographers, with prices averaging about $8,000 and going up to $40,000. Among the reserved works is a flashy photograph by Miles Aldridge called "Pure Wonder" and a work by Japanese photographer Kanjo Take called "Madonna," which shows a nude modern Geisha peeking through a colorful coat. It sold for $20,800.

John Morrissey, a lawyer in West Palm Beach, Fla., says that after attending the fair for the past six years, he has learned to plan ahead. If he wants work by a particular artist, he calls galleries about a month before the fair. Even if they won't presell work, Mr. Morrissey says it can help grease the wheels of a deal by showing interest ahead of time.

The process of selling a work in advance typically starts when dealers notify clients about the items they are bringing to the fair. Images are emailed, along with lengthy descriptions. Often in the world of contemporary art, the pieces that go to fairs are fresh from the artists' studios -- and most in demand. Seasoned art collectors develop intimate relationships with galleries in order to get access to such work.

Many dealers who presell works will end up bringing different, less valuable pieces to the fair. But some dealers exhibit presold work as a way to attract visitors to their booths. Fair organizers say that's a practice they discourage. "Putting something on your wall that is sold -- well, it's a real waste of real estate," says Lucy Mitchell-Innes, co-owner of the Mitchell-Innes & Nash gallery in New York and a member of the fair's selection committee.

Ron Warren, director of the Mary Boone Gallery, which presold the Eric Fischl paintings, calls the business of preselling "a frustrating situation." He says, "On the one hand, we can't say no to our clients, but on the other, we need to bring unsold work to attract collectors."

There are other ways buyers can get special access. They can ask dealers to reserve a work for a couple of hours while they roam the fair, or they can score a VIP ticket. Some 2,000 VIP tickets are sent out every September by the organizers of Art Basel, allowing entry to the fair about 24 hours before the general public. Museum directors and curators are usually on this list, and exhibitors are given four tickets each for their top clients.

Ken Edelson, a real-estate developer who splits his time between Boca Raton, Fla., and New York, collects work by blue-chip artists like the German painter Anselm Kiefer, known for his post-apocalyptic landscape paintings. He says he'll go to Art Basel again this year, but with so much already spoken for, he doesn't have high hopes: "Anything that is a name is probably snapped up, and if it isn't, it's because it's a 'B' or a 'C' piece."

Samuel Keller, director of Art Basel as well as Art Basel Miami Beach, says while preselling is more common, there is still plenty of art available this year. He says he tries to keep the playing field level by barring collectors and their advisers from the fair before the VIP opening. In recent years, he has also allowed galleries to bring more art so they can replace works on the wall as they are sold. Last year, he says, galleries brought 40% more freight than the year before.

"We would not get the world's biggest collectors here if we ran out of art -- there is still more artwork than money, even in Miami," says Mr. Keller.

Write to Lauren A.E. Schuker at lauren.schuker@wsj.com