« March 2008 | Main | May 2008 »

7 posts from April 2008

April 23, 2008

ARTROPOLIS 2008....

ARTOPOLIS 2008... If they build it will anyone they come??

Chicago_mart OK.. we're headed to Chicago tomorrow morning for a few days. We think MAO may possibly be the only silly obsessed New York Art collector to be able to say..we've gone to both Art Chicago in 2007 and 2008.

Do the big European art buyers know where Chicago even is? This could be very scary.

And from looking at the current Map of Art Chicago.. it's going to be very big. Is it possible to have too many galleries... not enough collectors at an Art Fair?

Anyway..we're looking forward to a work break, seeing some new art, meeting some nice mid-west types, and seeing the NEXT art fair.

April 19, 2008

Paul Evans and George Nakashima.. now Co-Kings of Modern American Furniture Design

The collecting world wakes up to the amazing furniture of Paul Evans.

Paul_evans_bronz_sculpturedfrontcab For the last several years.. collectors not MAO have been falling all over themselves pushing up the prices of George Nakashima furniture.  Even books on Nakashima are hard to find.
And, if you've ever seen one of his natural wood tables.. you know, his furniture is amazing.

But the work of Nakashima's New Hope Pennsylvania contemporary, furniture maker Paul Evans..had never managed to get as much attention or demand the same sky high  from the design collecting elite. Well..that was until last weekend. 

This time, we saw jaws drop, tongues wagged, and auction records shattered..as collectors clamored to buy the several beautiful lots of Paul Evans bronze work for sale from the Sollo Rago Auction house this past weekend.

We've blogged about Paul Evens works before, but, some of these were the most amazing pieces of modern American furniture Dr. Quiz and MAO have ever seen. The bidding wars were intense insane cause MAO got outbid on everything!

We hope, this one Paul Evans cabinet (shown here),  went to the MAO collection a major American museum, because we've never seen a finer example.

Lot 100, Paul Evans, Sculpture Front Cabinet...Pre-Sale Estimate, $80,000 - $120,000... Actual Total Sale Price : $ 228,000.

(photo : PAUL EVANS Two-door vertical Sculpture Front cabinet, vibrantly painted with edges trimmed in 23K gold-leaf, the red-washed interior with three gold-leaf drawers and numerous compartments, 1972. (From the collection of Dorsey Reading.) Signed Paul Evans '72 D. 82" x 36" x 20" )

Now if only someone would publish a book on Paul Evans work..since we don't know of any yet!!

April 17, 2008

Painter, Chris Dorland's Show opens at Rhona Hoffman Gallery in Chicago

Chris Dorland, Simulations, at Rhona Hoffman Gallery, Chicago.

OK.. so apparently there is some great art happening west of the Hudson River as well!!

But you heard about this amazing painter here first...(Artist Interview Part I, and Part II)

Actually painter Chris Dorland, lives and works in Astoria.. so technically..the great art works get made in NYC..and just gets shipped west to Chicago!

Chris_dorland_untitled_cathode_1So, MAO and his art posse got a lucky chance to preview the work before it go shipped west... a

nd we can honestly say..it's Mr. Dorland's best work to date. 

His new "Simulations" all look like photo collages that were created on photocopy and digital scanning machines.. but when you realize some of these are painstakingly hand painted canvases.. you start to understand the merits of these new works.

Here's part of the gallery press release...

Rhona Hoffman Gallery is pleased to present Simulations, an exhibition of new paintings and photo collages by New York-based artist Chris Dorland. This will be his first solo exhibition at the gallery.

Dorland’s work primarily references imagery from 1960’s and 1970’s architectural history books of stadiums, pavilions and other public buildings.  These grand scale utopian architectural projects, some of which never progressed beyond their planning stages, are hulking contradictions. Once futuristic and forward thinking, they often end up dilapidated and forgotten: wreckages of late Capitalism. Neither entirely realistic nor abstract, these works depict images which oscillate between the process of becoming and dissolving.

The distinct surface of Dorland’s work is created using a varied technique that involves scraping and rolling paint. Thus, his paintings simultaneously reveal and mask his process. The paintings in Simulations in particular reference the artist’s use of photocopied source material. Dorland has also willfully restrained his palette for this exhibition. Pairing violent and aggressive reds, greens and blues alongside deep inky blacks, Dorland’s paintings and collages call to mind Andy Warhol’s early silk-screens as well as the sparse digital glow found in many of Director Michael Mann’s neo-noir films. 

We can't wait to see what the show looks like in the gallery when we're at Art Chicago 2008 next week. (Photo, Chris Dorland, Untitled (Cathode 1), 2008, oil on linen,  32 x 48 inches)

OH..and FYI : In conjunction with the exhibition, Dorland has created a limited edition of hand silk-screened Xerox books, printed at Tiny Vices Books, which are available for sale at the gallery.

Congrats Chris! The show runs from April 18th to May 22nd.

April 11, 2008

Apparently there is Life in the NYC art world above 57th street!!

There's a Harlem Art Tour this weekend!! Like, Who knew??

So, For those clueless NYC art people who need a map and a tour guide to leave Chelsea.. MAO has found a program for you!!

So from what we can gather.. wisitors will be escorted by a tour guide to each gallery where they will participate in a 30 minute visit.

The ArtCrawl culminates in a 45 minute meet and greet at Schomburg Research Center where light refreshments will be served. Participants will pay $45 which will cover the guided bus tour, a gift bag, hors d'oeuvres and music. What a deal!! Here's the formal announcement...

April 08, 2008

Phillips Cancels tonights historic Diane Arbus Auction

In a surprise move, Phillips de Pury & Co. which had a huge historically important 100% Diane Arbus sale of the Hubert Museum work, scheduled for tonight... abruptly canceled it this morning.

They have announced the entire collection will be sold privately.  Hopefully, this means, that all of these amazing historic images will all go to a Diane_arbus_hurbert_museumpublic institution..instead of being broken up and sold on the auction block....never to be seen together again. Maybe the Met.. which already owns the entire Diane Arbus Archive will buy it!

The canceled auction had consisted of 20 vintage Diane Arbus photographs, many which were thought to be totally unique. These photographs were of a Times Square private freak side show, known as the Hubert Museum.  These  photo's were a classic photographic treasure trove of unknown Arbus work.. and these were almost found accidentally.  Actually the story of this portfolio's finding is almost as interesting as the images themselves. Here's a story about this collection of images...

Sadly..they've already taken down the images and the story details from the Phillips Website..but the single catalog of just this Diane Arbus Portfolio is still available.. and a must have for any Arbus Obsessed photo collector. (Photo by Diane Arbus, Hubert Museum, auction catalog cover image)

Here's the Phillips press release..

DIANE ARBUS: HUBERT'S MUSEUMWORKSTO BE SOLD IN PRIVATE SALE AT PHILLIPS de PURY & COMPANY

FOR IMMEDIATE RELEASE
NewYork – April 8 – A rare and important collection of early photographs by DianeArbus chronicling life at Hubert's Museum, the legendary dime museum in Times Square, New York is to be sold privately by Phillips de Pury & Company

The collection composed of over 20 vintage prints and selection of the museum's archive was scheduled to be sold at auction in an evening sale tonight at the company's Chelsea galleries. Instead, the works will be sold privately and the spring Photographs auctions will commence tomorrow morning, April 9 with the 10am sale of the Corbeau et Renard Collection,Assembled by Gerd Sander to be followed by the various owner Photographs sale at 2pm

April 07, 2008

Seminar with Ellen Harvey at the Whitney this Thursday night

Super Star of the 2008 Whitney Biennial, Painter Ellen Harvey will give a free lecture (with regular admission) at the Whitney this Thursday night.

Ellen_harvey_whitney_paintings At MAO, we've blogged several times, (here and here) about how much we love the work of Ellen Harvey.. but this time you get to hear it straight from the artist's month.  Actually Ellen is a super speaker/presenter as well as an amazing painter. So this will be one event to check out. (Photo : a part of Ellen's Museum of Failure - The Collection of Impossible Subjects & Invisible Self-Portraits, 2007, installation at the Whitney 2008 Biennial)

As a trained Painter and a Lawyer, it should be fun to hear what insights Ellen has about her Whitney Biennial performance experience. During the early weeks of the show, Ellen did a series of 15-minute portrait drawings in exchange for the subjects responses to a questionnaire criticizing her efforts. Sadly MAO didn't get to participate cause it booked up way too quickly.

Here are the event details...and we think you may have to reserve tickets in advance.

Thursday, April 10 at 7pm.

Seminars with Artists : Ellen Harvey - Thur April 10, 2008

Trained as both a painter and an attorney, Harvey balances an artist's sense of faith with a lawyer's skepticism, as she investigates art's simultaneous potential for beauty and failure. 

Seminars with Artists
Launched in the late 1960s as one of the Whitney Museum's first public programs, Seminars with Artists is an open forum for conversations with some of the most notable American artists.  This season each Seminar explores a topic or theme central to an understanding and appreciation of contemporary art.

Admission is FREE for members; $6 for senior citizens and students; $8 for general admission. Members must make reservations by contacting memberinfo@whitney.org. For all others, advance sales recommended. Space is limited. Tickets may be purchased at the Museum Admissions desk or online by clicking the link at left. Inquiries: public_programs@whitney.org or (212) 570-7715.

April 03, 2008

Matthew Pillsbury and Ryan McGinley, 2 Photography shows not to miss...

The Matthew Pillsbury show, "Elapsed", at Bonni Benrubi Gallery, and the Ryan McGinley show,"I Know Where the Summer Goes," at Team Gallery both open tonight!

These two young hot photographic artistic talents work in so completely different ways and their images are on opposite extremes of the contemporary photographic spectrum. One using cerebral, dusty old world, black & white photos of long studied quiet settings, and the other working in blazing firecracker colors where he perfectly captures that instant of irreverent exuberance of today's butt naked youth culture.  Also, One show is in an elegant dignified uptown gallery established over 20 years ago, and the other is in a hip trendy SOHO gallery, well at least it's not on the art world's bleeding fringe, The Uber Chic, Lower East Side!  Such huge differences.. but MAO loves them both. They perfectly frame the quickly changing world of contemporary photographic art today.. and we're so excited to see these 2 shows.  Now if we could only be both up and downtown at the same time tonight!

First.. Matthew Pillsbury, Elapsed at Bonni Benrubi Gallery. As most MAO readers already know... we're totally crazy obsessed with this young up and coming photographer..

Matthew_pillsbury_arteries_2 We've written about Matthew's work before, he's won some big prizes, and we continue to be totally amazed with Matthew's thoughtful B&W time-laps images. Here is part of the galleries note about the new show..

(Photo #1,Matthew Pillsbury, Arteries, Nerves and Veins, Royal College of Surgeons, London, 2007)

This show expresses Pillsbury's continued interest in the relationship between humans and their technology. Incorporating the screens of television, cellular telephones, and computers as his primary artificial light source, Pillsbury's scenes are depleted of solid human forms and we are left with their ghosts. Using long exposures and a large camera the non-human elements of each image reveal themselves in greater detail than the people they belong too. Each player on these carefully designed stages of life evokes a sense of isolation to the viewer and we find their interconnectedness only in what they have "plugged into." Pillsbury has gone beyond the interior personal space and has taken on public spaces where we see ourselves moving anonymously through our world: blackberry's in hand, mere ghosts. It is truly time elapsed.

Also, Matthew has a website worth checking out as well. The show is up at the Bonni Benrubi Gallery on 57th street till May 31st.

The Ryan McGinley show, "I know where the Summer Goes," is at the Team Gallery in Soho.

OK, I know.. We at MAO have blogged on and on, about how much we love the work of young photographer Ryan_mcginley_questionmark Ryan McGinley.  But this artist just keeps living up to all the MAO hype potential.. and it looks like he's delivered once again!  From what we've seen so far, Ryan is showing additional growth in his artistic vision and signature style.

Here's a exert from the gallery show announcement..

Ryan McGinley’s “snapshots” have been evolving steadily since his guerilla show at 420 West Broadway in 2000. In the intervening eight years he has moved away from an artistic practice that was the soul of casual and towards an elaborated production schedule that raises the ante on “being there.” McGinley has gone from being perceived as the hottest young photographer in town to being considered a serious artist with a rare gift for creating enduring color photographs — photographs that show us the best of youth.

The title of this exhibition, taken from an early B-side by Belle & Sebastian, is more than just a piece of poetic musing. McGinley does, in fact, know where his summers go. In the summer of 2007, for example, he traversed the United States with sixteen models and three assistants, shooting 4,000 rolls of film. From the resulting 150,000 photographs, he arduously narrowed down the body of work to some fifty images, the best of which are on display here at the gallery.

The inspirational images for the project were culled from the kinds of amateur photography that appeared in nudist magazines during the 60s and early 70s. McGinley would sit with his models and look through all of the ephemera of the period that he had collected, discussing with them the mood that he was hoping to capture that day. McGinley had chosen a very specific itinerary that would bring his troop through the incredible range of landscapes that are available across the US and carefully planned a battery of activities, sometimes orchestrating the use of special effects. He has always been quite fond of fireworks and fog machines and in this new work they play a major role.

The very artificial constructedness of the project allows for situations in which the models can both perform and be caught off guard. The resultant pictures of nude young men and women playing and living in the great outdoors are innocent yet erotic, casual yet calculated.

(photo #2, Ryan McGinley, Question Mark, 2007-8, c-print, available in only one size, 30x40, edition of 3)The McGinley show is up at The Team Gallery in SOHO until May 3rd.

Don't miss these 2 Shows!