Photographers Richard Renaldi, and Doug DuBois, talk with Lesley A. Martin
This week starts the Afordable Art Fair. It's a fair oriented toward reasonably priced contemporary art, which in this
shitty economy, is the only art most people can hope to own. The fair tends to include lots of think inexpensive new young emerging artists, so it's always been a fun place to find that next hot rising star. FYI, the SVA will have a booth again, showing some of their most recent MFA graduates work. This booth of 9 SVA students is sure to be one of the AAF high points.
7 West 34th Street (b/w 5th & 6th Avenues)
New York, NY 10001
Thursday, May 7th 12:00PM - 6:00PM
Friday, May 8th 12:00PM - 8:00PM
Saturday, May 9th 12:00PM - 8:00PM
Sunday, May 10th 12:00PM - 5:00PM
The fair is also hosting a series of free lectures, but the one which caught our eye, was a talk between Aperture Photobook publisher giant, Lesley A. Martin, with 2 great contemporary art photographers.
Lesley A. Martin, is the driving force behind the highest quality photobook being produced today. As Editor at Aperture books, she is one of the most influential people in the Art Photography world. Her writing has been published in Aperture, American Photo, DoubleTake, and Interiors magazine, among other publications. She is the editor of over forty books on photography, including Reflex: A Vik Muniz Primer; and Model American: Katy Grannan.
Also, for those of you who've seen Richard Renaldi's photography, you'll know he's one of the most renown young portrait photographers working today. His newest photobook, Fall River Boys, recently published by Charles Lane Press, is a true work of art.
(Photo #1, Richard Renaldi, "Raymond and Jeffrey, 2002" from Fall River Boys)
In the rich B&W tradition of Walker Evans, and Dorothea Lang, Richard has crafted a thoughtful, year 2000, portrait of a common US dreary industrial suburban town with surprising luscious beauty. He's found, in this most unexpected place, a portrayal of hope, and strength within the young men of inner core America during these changing economic times. MAO thinks, you'll find this new book a total necessity for any serious photobook collection. Hopefully Richard will be signing (and possibly selling) copies of his newest book after the panel talk. You can also find copies of Fall River Boys here... or just go to www.charleslanepress.com
(Photo #2, Richard Renaldi, "Derrek 2004" from Fall River Boys)
FYI.. For those photo art collectors looking for an amazing bargain, there's one of Richard Renaldi's photos now for sale at the Humble Arts Foundation for just $750 in an edition of only 5, and it comes with a signed copy of the book as well! Now, How Sweet is that ?
Photographer, Doug DuBois also has a new book out by Aperture. MAO has actually not seen this book yet.. but it looks very promising. The book, Doug DuBois : All the Days And Nights is available directly from Aperutre. Hopefully Doug will be signing books after the talk.
Here are the details for the talk by Lesley A. Martin, Richard Renaldi, and Doug DuBois :
Contemporary Portraiture with Doug DuBois and Richard Renaldi
Thursday, May 7, 2009
Affordable Art Fair
20 West 22nd Street, Ste. 1512
New York, New York
Lesley A. Martin, Publisher of Aperture's book program, will present artists Doug DuBois and Richard Renaldi, who will speak about their respective bodies of work and how they fit into the broader context of portraiture in contemporary photography.
Doug DuBois: All the Days and Nights (Aperture, 2009) resonates with emotional immediacy, offering a potent examination of family relations and what it means to subject personal relationships to the unblinking eye of the camera. Doug DuBoisbegan photographing his family in 1984, prior to his father's near-fatal fall from a commuter train and his mother's subsequent breakdown and hospitalizations. More than twenty years later, DuBois's project has developed in remarkable ways. Each photograph is rich with color, nuanced gestures and glances enveloping the viewer in a multivalent, emotionally tense world.
Richard Renaldi is a photographer in search of the brief encounter—that fleeting moment when a stranger opens his life to him and, consequently, to the viewer. His trust in the descriptive and empathic abilities of the camera verges on that of his nineteenth–and early-twentieth-century predecessors. His first monograph, Figure and Ground(Aperture, 2006), presents portraits and landscapes taken from coast to coast, across the United States. They form a collective portrait of a population and nation going through a process of diversification that has already dramatically enlarged the notion of what defines Middle America. In Renaldi's second monograph, Fall River Boys(Charles Lane Press, 2009), an extraordinary body of images—both portraits and landscapes—is gathered for the first time. The resulting photographs, made over the course of nine years, are not brief encounters. Renaldi's quiet gaze considers his subjects with neither judgment nor irony. What emerges is a nuanced portrait of a city where young men grow into manhood surrounded by a landscape of idyllic natural beauty, frayed at the margins by darkened relics of an industrial past.